Les Misérables—the greatest musical ever written—turns 40 this year. I first saw it when it premiered in Australia a couple of years later, on a year 10 elective music excursion with my now-wife. And in a few days, the anniversary “arena spectacular” opens in Sydney. Yes, I have tickets.
The reason it has maintained its place at the top of my ranking for the past four decades is that I don’t just appreciate it on a musical level. And before you make your own judgement on that, ensure that it’s the original 1980s score you’re listening to, not the insipid arrangement of the 2012 movie that robbed it of much of its character, and that the part of Javert is at least 30-odd foot away from being grunted by Russell Crowe. Yes, I have strong opinions.
It’s not just the music that makes it great; it’s the theology of the story. So I thought I’d mark the 40 year anniversary with three posts about how the gospel is central to the plot of both the musical and the Victor Hugo novel on which it’s based. Whether you’re an old fan like me, or someone encountering it for the first time, I hope it helps you appreciate the richness of some of its themes.
We begin today with the main character, Jean Valjean.
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